Each journalist asked him some variation of the same basic question: Had he intended, or did he at all anticipate, that War of the Worlds would throw its audience into panic? “If I’d planned to wreck my career,” he told several people at the time, “I couldn’t have gone about it better.” With his livelihood (and possibly even his freedom) on the line, Welles went before dozens of reporters, photographers, and newsreel cameramen at a hastily arranged press conference in the CBS building. He’d heard reports of mass stampedes, of suicides, and of angered listeners threatening to shoot him on sight. Welles barely had time to glance at the papers, leaving him with only a horribly vague sense of what he had done to the country. By the next morning, the 23-year-old Welles’s face and name were on the front pages of newspapers coast-to-coast, along with headlines about the mass panic his CBS broadcast had allegedly inspired. Some listeners mistook those bulletins for the real thing, and their anxious phone calls to police, newspaper offices, and radio stations convinced many journalists that the show had caused nationwide hysteria. Wells’s The War of the Worlds, converting the 40-year-old novel into fake news bulletins describing a Martian invasion of New Jersey. The night before, Welles and his Mercury Theatre on the Air had performed a radio adaptation of H.G. On Halloween morning, 1938, Orson Welles awoke to find himself the most talked about man in America. The broadcast, which aired on October 30, 1938, and claimed that aliens from Mars had invaded New Jersey, terrified thousands of Americans. Orson Welles (arms raised) rehearses his radio depiction of H.G.
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